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Tribunals of Taste

Who gets to judge Last week, Stockholm delivered its verdict. This week, everyone else did too. The Giller Prize announced its shortlist in Canada. The Cervantino and the Zócalo book fair entered their final days in Mexico. And a convent in Mexico City closed the case on its own restoration. Three tribunals, one question: who gets to judge. Start with Toronto, because the provocation is sitting in the jury room. On October 5, the Giller — Canada’s richest fiction prize — named its five finalists. For the first time in the prize’s history, the jury contains no writers, no critics, no academics. It is nine independent booksellers, working from more than 140 submissions: Tara Gereaux’s Wild People Quiet, Michelle Good’s Eliza Sunshine, Nicholas Herring’s Your Breath in Charcoal, Nazanine Hozar’s The Small Ones, Patmeena Sabit’s Good People. One hundred thousand dollars to the winner, Rick Mercer hosting the ceremony on November 16. The jury composition is the whole story. The bookseller is the person who stands between the book and the reader’s hand. Handing them the country’s most lucrative literary prize is either a genuine democratization of judgment — or the most honest admission the industry has made about itself in years. Or both. There is a sharp version of this argument and a soft one. The sharp version: criticism has been captured by commerce, and the bookseller jury simply removes the mask. The award admits that what counts is what moves through the store. The soft version: the bookseller reads more widely than the critic, because the critic reads to be right and the bookseller reads to find a reader. There is something genuinely radical in that — nine people whose job is to know what strangers want, before the strangers know. But notice what the bookseller’s judgment can never quite do. Stockholm judged Anne Carson and sent a signal about quality and form: the fragment, the classical tradition. It’s not about sales; it’s about literature. The bookseller’s shortlist lives in a different realm. A genuinely popular tribunal is a few hundred kilometers east, in Mexico City, at the Plaza de la Constitución. The

Our new poetry collection is available!

Our new poetry collection is now available! The first titles from ICE Press are on sale in both
paper and ebook formats. We inaugurate the collection with works by César Arístides,
Alejandro Ortiz González, Néstor Rodríguez, Reina María Rodríguez, Zaira Pacheco, and
José Kozer. This first group is in Spanish, and titles in English will arrive soon.

You can watch our Unfold documentary here

121 min.
Unfold explora el proceso creativo y el surgimiento de 20 artistas mexicanos en la década de los 90 que actualmente tienen una participación preponderante en la escena artística internacional.

New publication by Ximena Berecochea.

3 min.
Spring brings a new issue of DOUBLE DOUBLE with a focus on poetry, images and languages, and how media interact and communicate with each other.

Compra fotografías originales de artistas multipremiados.

ONLYFANS

Tribunals of Taste

Who gets to judge Last week, Stockholm delivered its verdict. This week, everyone else did too. The Giller Prize announced its shortlist in Canada. The

Jacarandas in CDMX

Tuesday, February 8, CDMX. Believe it or not, in this atrocious and at times beautiful city the jacarandas have already begun to bloom.

Super Sunday CDMX

Sunday 11:20 p.m., CDMX. Super Sunday, or at least that’s what our neighbors to the north make us believe. The world cup had 4 billion

About ICE

The Institute of Creative Exchange is the ultimate content platform for art and literature in the Americas.
We create, produce and distribute to service artists and culture-interested audiences.